Why is it, I ask you, just why, were some of the stories by Australian authors published overseas--such as with the Terry Dowling, Lucy Sussex, and Rjurik Davidson pieces that appeared on sci fiction this year--not considered for the Aurealis Awards? Surely you don't have to submit your own work if you appear in the professional markets? And how much other fiction was published overseas and didn't get considered?
Kinda not right when you think about it.
Kinda not right when you think about it.

Comments
Cat Sparks
The nominating system for the Aurealis Awards seems to be overly convuluted. Forms must be filled in and posted (right?). And I've heard rumours that the judges themselves can't nominate titles. Don't know if that's true, but if it is that's nuts. When I was a Tiptree judge the nominating system was dead simple (an online form where you could put title/author/publisher and then press the send button) and we judges actively kept an eye out for eligible material.
I can't imagine that the people administering the Aurealis want to overlook anything that's eligible, so I'm wondering why they don't have a simpler system.
well, they're not listed on the entered works list, which you can check here: www.fantasticqueensland.com/~aurealisawa
i've no idea how much is and isn't there, because i've simply not kept up with everything.
(on rjurik's story, i thought it was well written, good craft, alla that, but it didn't do anything new for me, so i'll not go that it was amazing. solid. professional. yes, all those things.)
The nominating system for the Aurealis Awards seems to be overly convuluted. Forms must be filled in and posted (right?).
yeah, it's pretty annoying. i did it for the small press american stuff i published this year, which i knew wouldn't register on anyones radar down here. it was just a labour to fill out the forms, get copies of the stories, and send them. if you only had to do it once, it might not be so bad, but you've got to do it for each judge in each category you send too. it's just a chore.
And I've heard rumours that the judges themselves can't nominate titles. Don't know if that's true, but if it is that's nuts.
yeah, i agree with that. i don't know if it's true, but there are some judges that read this, so they might say. kinda crazy if it's true.
i always thought, perhaps a bit naivelly, that being a judge and running an award meant you actively went out and got the stuff published to give to the judges.
The stories you list weren't considered because nobody submitted them, with appropriate entry form, in other words.
I won't comment on the goodness/badness/whateverness of this, for obvious reasons, but that's why.
It certainly seems like the mandatory entry forms was a big issue for the Aurealis this year. Will be discussed in Brisbane I have no doubt.
I think the AAs are in danger of becoming a complete joke if this situation isn't rectified.
Cat
The AAs have been, for many years, a flawed award. It's just now that an extra mound of bureacracy has been introduced into the mix. The amount of work an indie publisher has to do in order to do the right thing by their writers has become an unpleasant task.
The AAs will never be a complete joke because there will always be some that take them seriously.
as it is with all awards, really.
The only thing is, anyone nominating a story had to be willing to pay to print up the story and mail it to the three judges, and complete the entry form.
I agree with you, it's ridiculous if they weren't considered... of course it's always possible that the judges for those categories *did* read the stories but didn't think they were good enough to go through the hoopla of officially entering them. Or maybe they didn't read them at all.
I think it's in the interests of the awards to be as inclusive as possible. While the burden shouldn't be *totally* on the judges (ie. they can't be expected to know every story that's been published in the US small presses etc) I do think it's in everyone's best interests if stuff isn't overlooked.
The entry forms in my opinion are unnecessary and simply complicate things.
As a judge I've frequently chased up stories/books.
i disagree over authors not allowing authors to withdraw their work. if an author doesn't want it, then you shouldn't force them. there are usually plenty of other works worthy of recognition anyway, so i don't see the hassle in not having one to pick from. but thats me--i suppose i'm looking at it fromt he author point of view.
The issue is, of course, very real for the Ditmars, as Greg Egan always declines Ditmar nominations. Which has, in the past, lead to the cancellaton of one Ditmar ballot process (it was repeated later in the year with more success, but not awarded at the Natcon). And essentially impossible to ever completely resolve, as it depends on philosophical questions about the nature of awards that are seldom clear for a particular award (and probably differ for awards in general).
I know from the panel I was on this year that we considered several works that weren't officially entered - and in some cases chased up the publisher to send us copies.
Likewise, just because something's published overseas doesn't mean the judges don't go out of their way to read it.
I agree that the 'entry form' system is problematic, but the administration of something like the AA's strikes me as nightmarish from beginning to end, and I wouldn't dream of taking on a task like that myself. The previous system was flawed too - although to be honest, it hasn't changed for the judges.
i'm not saying that judges have a bias against overseas fiction. i'm just raising the question of what was missing on the entered works list, and letting people run from there, so they can talk about it public like.
For instance, with any fantasy category you are going to get interesting magical realist stuff (increasingly) from the mainstream. Well I remember the time the Yrs Best people (fantasy) contacted me about a story that had actually appeared in an oz lit mag. They wanted to contact the author for permission, and he actually turned out to be American. That they were prepared to range far and wide for their selection is meritorious.
Of the awards I've judged, some have been paid, some not. A meal with mucho red wine with the Davitts. Pay for another award, but it wasn't adequate recompense, not with 70-100 thick non-fictions to read. But in all cases the judges have been active in looking for stuff, spotting where books should have been submitted. Anything else is smacking of laziness.
no, no one is begrudging anyone their nominations. it's all very fine for the people who have been. but as you say, the award is meant to be representative of the field, and you ought to have a proper representation.
Australians that I published for them to be considered, I would have done so.
i think people just want, as lucy said, to see a full representation of the people in the scene. still, it's a scene that isn't the most professional in the way it's run, so having these sort of missteps shown up public might give a bit of a hand to helping kick a bit more professional in. whatever that means, of course :)
hey, shouldn't you be out or something? isn't it the new year or something over there? time for parties you'd never normally go to but you do because that's what new years eve is all about ;)
Happy new year!!! to you all in oz.
and happy new year, too.
So what did YOU do on the eve?
i had plans to go to an island, which would've been cool, as i could then say, 'i spent new year's on an island', but it fell through a couple of days beforehand. kinda set up a trend for everything after that. so: blacktown roof top, where i sat round and listened to people talk about working in a supermarket (coles) and how fresh produce is, uh, interesting, and how people can't cash out a register in under five minutes. i also learnt that now matter what i do throughout my life, the ability to dance in any way that would be enjoyable for someone to watch is not going to be one of those things. so it was pretty forgetable in just about every way. obviously, i got to start being choosy :)
anyhow, glad you had a nice night. welcome to 2006 with the rest of us :)
When I was at the Hague Worldcon there was an international fireworks exhibition that lots of us watched. It was glorious.
maybe. i'm not so up on the horrors of the freezing weather. however, when i went last to watch the fireworks, it was 2000, and the people i went with wanted to get there early for a 'good' spot. so we got there at, like, two or three in ther afternoon and waited under the bridge. they had all these public toilets set up, but by about nine that night, there were just overflowing. you'd step in there and it'd--well, there's really no way to describe overflowing toilets. the worse part was when i watched one guy get in, and then his friends ran up behind the toilet and slammed into it, rocking it round. he emerged unhappy.
then of course, the fireworks happened. ten minutes later, the slog back home through the crowd.
people, huh?