?

Log in

No account? Create an account

The Past | The Previous

Kenzo Kitakata's Ashes.

I picked up Kenzo Kitakata's first translated novel, Ashes, purely on a whim.

The first page grabbed me. Stripped down, hard boiled. An ordinary man in a grey suit walked into a bar and said, "Lose the jazz." I liked that. I bought it off that, and because the blurb of a middle aged yakuza sounded interesting. thus, I didn't know that Kitakata has written a bucket load of novels, and is well established as a crime writer. Think the Japanese version of Elmore Leonard, I guess.

I picked Ashes because I wanted something different, and I certainly got that. However, I'm not yet convinced that I think it's a good novel. Interesting, different, certainly not like anything else I'd read in the hard boiled crime genre, but good? That's a harder thing to pick. The more I think about it, the more I believe that the problems lies with the translator, who allowed simple repetitions of phrases to clutter parts, and who also allowed the English prose to become stripped back to the point that simple scene setting was at times lacking, and extended dialogue exchanges would often see me skipping back to figure who was saying what. It could be that this is a fault of Kitakata, but in the hands of a translator, one would expect it to be picked up, or that an awareness of it would be shown, and ultimately, these faults of the prose begin to wear by the end of the slim book.

It is, however, still interesting. The central character Tanaka feels as if he's been drawn straight from one of Takeshi Kitano's noir films, and it's hard not to imagine the middle aged character with Kitano's impassive face and short, hard sentences as he beats a man up and works through the lingering violence of his youth.

It is the portrayal of Tanaka in the yakuza lifestyle that is the novel's draw. It's divided into two parts, the first a third person narration called 'The Man Within' and the second a first person narration entitled 'Within the Man'. The first follows Tanaka through a series of events of his life in the yakuza, touching on his growing dislike for his boss, and his position within the Family. Kitakata and the translator conspire to offer a figure that we can't quite get a handle on, and which they reveal in the second section. It's not a pretty portrayal, but it's interesting, even if I felt that more time could have been spent lingering over his relationships with women and violence. But it is an interesting portrayal, and it is spared of the usual yakuza trappings: men cutting off fingers to appease the Family, intricate tattoos, and ninja swords. Instead, what is offered is the day to day running of drugs and women and the matter of fact acceptance that time in jail will have to be served. Indeed, the relationship Tanaka has with prison is one of the more interesting dimensions of the book.

I've skipped around giving too many details away in the book. It's not a very large thing, though I must admit, I was a bit surprised by the end. I'd expected something quite different, yet upon reflection, it was the ending that suited the book, which is always a pleasure to experience. But, I have been vague about the details, just so I don't spoil, because really, if you're looking for something a bit different, Ashes is worth the go.

Comments

( 2 Soaking Up Bandwidth — Soak Up Bandwidth )
studebakerhawk
Nov. 7th, 2004 03:12 pm (UTC)
Hey Ben,

on a side note, i wanted to get your thoughts on the final episode of Safran vs. God, namely the excorcism. If he actually got converted to prove how easy it is to get suckered in and brainwashed, then im happy, but if he's born again or whatever ill be pretty pissed.
benpeek
Nov. 7th, 2004 03:34 pm (UTC)
i think i wrote about it further back, but i'm not really sure. safran has gone and done a few interviews where he says something happened, and that the whole thing was weird, which certainly suggests that something happened.

but as to him being born again or suckered, i don't know. he's a good little jewish boy, really, which could be seen in all the moments where he came into contact with other religions, and looked decidedly uncomfortable. (except with mormons. he had fun bashing the mormons.) so it's entirely possible that he had some sort of guilt thing that made him easy to brain wash there, but i don't know. i guess you're meant to debate it, really, and i'm not too concerned either way.

i think, in the end, i found the series unsatisfying because i didn't know what safran wanted to do with it. indeed, it felt like he was torn between knowing what he wanted to do, and not knowing at all. which, despite all the good points, left it in the end a bit hollow.
( 2 Soaking Up Bandwidth — Soak Up Bandwidth )